Phenomenology, initiated by Edmund Husserl and extended by Heidegger, Merleau-Ponty, and others, investigates the structures of lived experience. It resists abstraction by returning to “the things themselves,” analyzing how world and consciousness interrelate. In landscape and architecture, phenomenology emphasizes embodied perception: light, texture, sound, movement, and atmosphere. It reframes design as staging of experiential horizons rather than merely formal composition. Phenomenology’s raw poetics lies in showing how environments are disclosed through dwelling and attention.
Public space need not address everyone in order to accommodate them. The indifferent artifact follows an order of its own, entering public space as another stranger. It leaves the spectator’s role unassigned, introducing a form of alienation in which coexistence requires neither intimacy, identification nor agreement.
The movie Marie Antoinette (Sofia Coppola, 2006) stages one of the most ambiguous encounters with Versailles on film, compressed into a single scene. About a minute long, it condenses the purpose of the garden, the political gravity of its design, and an experience that seeks emancipation …
Historic gardens are in most cases preserved through visual continuity, yet climate change exposes the ecological instability beneath their timelessness. The article argues that heritage landscapes are to reveal, not conceal, this rupture—shifting toward a cultivated sense of change.
Skin-to-Skin Architecture is about rethinking how we design cities and buildings, not just as objects we use, but as spaces that touch us back. Inspired by the power of skin-to-skin contact in neonatal care, where a caregiver’s touch stabilizes, calms, and connects, we ask: what if our built environment could do the same? In Skin-to-Skin, […]
In the U.S., lawns cover nearly 2 percent of the land surface and, as researcher Cristina Milesi revealed using satellite data, “could be considered the single largest irrigated crop in America”—their total area is three times larger than that of irrigated cornfields. The infatuation with lawns runs so deep that, in some cases, failing to […]
As part of the broader philosophical movement of speculative realism, OOO (Object-Oriented Ontology) directly challenges the long-established belief that reality is always determined solely through human perception. Instead, the father of OOO, philosopher Graham Harman, argues that all objects—human and non-human, natural and artificial—exist independently of our subjective conceptualizations. To understand the radical nature and […]
BASE is a France-based studio known for its out-of-the-box thinking and unexpected design choices, often introducing challenges that can be overcome through play. Encountering an obstacle in a public space—one that invites engagement and risk-taking—creates a tension that can lead to moments of joyful liberation. A key aspect of BASE’s approach is putting trust in […]
Today, the possibility arises to define a new design approach to address issues of environmental and social justice in the urban context. Based on an integrated understanding of the interdependencies involving human and environmental relations, the applied-philosophy approach for landscape architectural practices induces a paradigm shift in spatial design. Rather than applying downstream solutions to […]
Urban biodiversity? Yes, please! Nevertheless … … Due to the transitional phase of our understanding of nature in the light of the Anthropocene, there are still some important notions, contradictions and misunderstandings that need to be addressed. To do so, we will operate with terms like nature, ecology, biodiversity, landscape, and aesthetics, and we’ll focus […]
In this essay, Zaš Brezar writes about the role of urban roofs in our collective memory. Illustrating the meaning of roofs through a selection of cultural references from films and music. The article is a part of Living Roofs focus on Landezine that is going on in October and November 2022.
Klaske Havik is associate professor of Architecture, Methods&Analysis at Delft University of Technology. She has developed a distinct research approach relating questions about the use, experience and imagination of place, to literary language. Her book Urban Literacy. Reading and Writing Architecture (2014) proposes a literary approach to architecture, landscape and urbanism, introducing the three notions […]
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