2002

Projects Typologies

Playgrounds / Parks / Water features / Squares & Plazas / Gardens / Schools / Parking / Streets / Waterfronts / Riverbanks / Courtyards / Bridges & Piers / Sport / Forest / Wetlands / Campus / Corporate / Residential / Post-Industrial / Roofs / Cultural Heritage / Restorations / Skate

Hassell

La Place Valensio

In Situ Architectes Paysagistes

Two Caves

Manuel Fonseca

Landschaftspark Duisburg Nord

Latz + Partner

Square of May 8th 1945

In Situ Architectes Paysagistes

The Bertel Thorvaldsen Square

Schonherr Landscape Architects

Ombre

Archicolture

Tussols

RCR Arquitectes

Recording the Light

Sophie Whettnall

Goerlitz Marien Square

Rehwaldt Landscape Architects

Park Diagonal Mar

EDAW + EMBT

Dyck Castle

RMP Stephan Lenzen Landschaftsarchitekten

MFO Park

Raderschall

Roof Park

Claude Cormier Landscape Architecture

Projects

Products by TTC Timmler Technology

TTC Timmler Technology

Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

LILA Recognitions

Bureau B+B has been around for more than 40 years. In The Netherlands it is righteously considered a cradle of successful landscape architects. Despite the vast portfolio and the inseparable heritage of B+B, the editors of Landezine were convinced and impressed by the latest projects that were designed by a team of young designers.

We recognize the work of Bureau B+B, mainly for their ability of combining innovative engineering approaches with context based design. They master a diverse span of attitudes; from being subtle and quiet, to making radical changes, or being playful. B+B’s recent designs reflect all the needed skills for handling complex tasks; from a busy urban train station to residential landscapes fit for the future, to wetlands.

But it is the work that tackles heritage sites that really separates B+B from an already remarkable crowd of Dutch landscape architects. The precision that is found in Tempel and Nieuw Rhodenrijs Estates or the conceptual clarity of the LILA 2019 winning project Objets Trouvés reflects the ability to untangle time-related complexities, to curate and to offer new, meaningful experiences.

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

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Editor's Picks

This site is soaked with complex memories of WWII and bloody protests in a fight for freedom in the 1970'. The heaviness of the past is contrasted by the lightness of the absolutely marvellous grading of the square. There are traces and signs of those memories still that suggest respect and soberness, but nothing is heavy about this design. So maybe the new 'feel of the place' suggests that confronting the past is perhaps behind? It optimistically allows for new uses in the times to come. Another thing worth mentioning is if you read the design statement, the museum was supposed to look more like a house and less like a landscape at first. The architects proposed a square also to give some space to the new Philharmonic (by another architect) across the street which is an act of super-consciousness in the world of architecture and I'm not sure how many architects are capable of that. This attitude makes the Philharmonic look like an Instagram ready teenager and the square it's grown up neighbour.

National Museum In Szczecin – Dialogue Centre Przełomy

Belvederes Drentsche Aa

Not Just Library – Bathhouse Garden

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Heavy-Heavy Benches by Streetlife

Ocean by Metalco

Riva by Metalco

LUDY by VPI Concrete

ONTARIO Bench by Area

Monolight by Metalco

Volo Evolution by Metalco

MultipliCITY Bench by Landscape Forms

Jonathan Bench by Bellitalia

Fortunato Air by Landscape Forms

Rough&Ready Free Form Tree Isles by Streetlife

MultipliCITY Table by Landscape Forms

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The Way Chaise Lounges Help In Organizing New Urban Communities

Sun Lounger Aria Single

Sun Lounger Keen

Sun Lounger Kinetic

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Street Furniture Made with Craftsmanship

Futureproof village realm Alpen by Felixx

Grijsen Park & Street Design

Wenters Single Seat With Backrest (Steel)

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Veló

Trink

Milli

Bench No. 17

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