Groningen

Blauwestad Harbour Quarters

by LAOS Landschapsarchitectuur

Euroborg Stadium Environment

by LAOS Landschapsarchitectuur

Projects

Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

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LILA Recognitions

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

The jury recognized a very different approach to the typology of residential landscape, where one would usually find very determined structures, designed to the very last square meter. Instead, Juul Frost Architects explored how a surrounding landscape can be brought into the residential area and how the buildings fit into the surrounding landscape. In the ‘inner’ area, small patches of what looks like local vegetation are placed in a very relaxed design language, emphasizing the qualities of the surrounding landscape and translating it excellently to a smaller scale.

From the jury statement: The project text humbly tells of the team’s aim to return the site to its rural integrity and local traditional building ways, away from the usual domination of design techniques. Yet the contemporary intervention succeeds in creating a strong independent design expression which successfully augments and strengthens the beauty of the site itself. The structures and plantings merge in creating densely atmospheric spaces.

Using simple and graceful design language, the project succeeds in creating a new interpretation of local traditional craftsmanship and history. It is in the combination of strong spatial and material uses and detailing with fulfilling sustainable goals that sets the project apart.

From the jury statement: As a part of a larger planning scheme for reducing traffic, Ballerup Boulevard provides a pilot project for transforming our car-oriented, oversized streets into multi-functional transit ways with human scale and character. The charming yet straight-forward design language of path geometries and planting beds allows the user to move through a coherent whole and at the same time differentiates sequence of spaces. Over time the plantings will create a lush, dense green corridor.

From the jury statement: This on-going project was self-initiated by landscape architecture office EMF – Estudi Marti Franch – in the midst of the global financial crisis. The goal was to make it “big and cheap”, so that the model can be repeated and adapted to many sites. It began by using vegetation maintenance to design public spaces in Girona. In this case, the landscape architect is not just the designer, but also a social catalyst who enables positive change. The jury recognized not only the process, but especially the result, which is a system of low-cost, modest, poetic and above all useful spaces that greatly enrich the quality of life for the people of Girona.

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Editor's Picks

Here, in the atrium of the Academy, plants thrive in an unusual environment – with no direct contact to the earth, little natural light, and artificial irrigation ... Most of these plants have a special connection to Jewish life. Some, for example, bear the names of Jewish people, others play a role in the Jewish holidays. And some of the plants’ folkloric names refer to anti-Jewish sentiments.

Diaspora Garden

The garden successfully builds on the relation between the surrounding landscape and the site. On one side of the house, it uses the approach of borrowed landscapes, establishing a connection between the garden and the pastorality of the adjacent agricultural land. On the other side of the plot it makes a clear differentiation, a contrast between the meadow and the lush woods. The garden also offers a sequence of various interesting ambiences.

Anticipating the Landscape

From the jury statement: The project Objets Trouvés convinces with outstanding artistic quality and visible historical awareness. Moving the bunker from its ancestral place and letting it re-appear in a new one is both astonishing and effective. This blunt dislocation, which first reacts to infrastructural requirements and finally turns the bunker into a ready-made, creates a whole new quality of visual perception. It is in this aesthetic space of resonance, where contemporary infrastructure development ultimately becomes conceivable as a possible instalment of the European warfare history. Consequently, the actual traces of history are kept visible with a genuine purpose – although this required such an action as moving a bunker. As a bold and even radical gesture, the project inscribes itself in the infusible tension between past, present, and future on the one hand, and between absence and presence on the other. In doing so, it formulates a notable reference point for the contemporary discipline of landscape architecture as an artistically informed cultural practice.

LILA 2019: Objets Trouvés

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