Antwerp

Antwerpen, Park Groot Schijn

by BULK architecten + BUUR + HOSPER Landscape Architecture and Urban Design

Park Groot Schijn

by Maxwan architects + urbanists

Boekenberg Park

by OMGEVING Landscape Architecture

by OMGEVING Landscape Architecture

Projects

Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

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LILA Recognitions

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

The jury recognized a very different approach to the typology of residential landscape, where one would usually find very determined structures, designed to the very last square meter. Instead, Juul Frost Architects explored how a surrounding landscape can be brought into the residential area and how the buildings fit into the surrounding landscape. In the ‘inner’ area, small patches of what looks like local vegetation are placed in a very relaxed design language, emphasizing the qualities of the surrounding landscape and translating it excellently to a smaller scale.

From the jury statement: The project text humbly tells of the team’s aim to return the site to its rural integrity and local traditional building ways, away from the usual domination of design techniques. Yet the contemporary intervention succeeds in creating a strong independent design expression which successfully augments and strengthens the beauty of the site itself. The structures and plantings merge in creating densely atmospheric spaces.

Using simple and graceful design language, the project succeeds in creating a new interpretation of local traditional craftsmanship and history. It is in the combination of strong spatial and material uses and detailing with fulfilling sustainable goals that sets the project apart.

From the jury statement: As a part of a larger planning scheme for reducing traffic, Ballerup Boulevard provides a pilot project for transforming our car-oriented, oversized streets into multi-functional transit ways with human scale and character. The charming yet straight-forward design language of path geometries and planting beds allows the user to move through a coherent whole and at the same time differentiates sequence of spaces. Over time the plantings will create a lush, dense green corridor.

From the jury statement: This on-going project was self-initiated by landscape architecture office EMF – Estudi Marti Franch – in the midst of the global financial crisis. The goal was to make it “big and cheap”, so that the model can be repeated and adapted to many sites. It began by using vegetation maintenance to design public spaces in Girona. In this case, the landscape architect is not just the designer, but also a social catalyst who enables positive change. The jury recognized not only the process, but especially the result, which is a system of low-cost, modest, poetic and above all useful spaces that greatly enrich the quality of life for the people of Girona.

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Editor's Picks

This site is soaked with complex memories of WWII and bloody protests in a fight for freedom in the 1970'. The heaviness of the past is contrasted by the lightness of the absolutely marvellous grading of the square. There are traces and signs of those memories still that suggest respect and soberness, but nothing is heavy about this design. So maybe the new 'feel of the place' suggests that confronting the past is perhaps behind? It optimistically allows for new uses in the times to come. Another thing worth mentioning is if you read the design statement, the museum was supposed to look more like a house and less like a landscape at first. The architects proposed a square also to give some space to the new Philharmonic (by another architect) across the street which is an act of super-consciousness in the world of architecture and I'm not sure how many architects are capable of that. This attitude makes the Philharmonic look like an Instagram ready teenager and the square it's grown up neighbour.

National Museum In Szczecin – Dialogue Centre Przełomy

Crack Garden

From the jury statement: Although the tiny district of Yongqing Fang still contains historical remnants, their small number limits the possibilities for a strong experience. The streetscapes successfully strengthen this quarter with a series of sensitive, highly poetic and well-measured interventions. Throwing away classical categories of old and new and the usual need to contrast these, the design playfully combines new interpretations of building techniques and materials to create a moving and powerful sense of contemporary, historic place.

LILA 2020: Yongqing Fang

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