McGowan teaches film and theory at the University of Vermont, staging encounters between Hegel, Freud, Marx, and the moving image. His wager is that theory is not ornament to art but its accomplice: a force that unsettles the given, that refracts comedy, capitalism, or cinema through contradiction and desire. In books such as The Impossible David Lynch, Capitalism and Desire: The Psychic Cost of Free Markets, and Only a Joke Can Save Us: A Theory of Comedy, he shows how laughter, fantasy, and psychic cost disclose the fractures of social life. His psychoanalytic film theory reimagines spectatorship, not as identification but as an experience structured by desire’s restless circuit.
Exploring the interplay between low-res design and the transience of landscapes, this essay foregrounds the notion of resolution, enquiring about a dynamic interaction with landscapes in flux.
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