Ernst Henry

Projects Typologies

Playgrounds / Parks / Water features / Squares & Plazas / Gardens / Schools / Parking / Streets / Waterfronts / Riverbanks / Courtyards / Bridges & Piers / Sport / Forest / Wetlands / Campus / Corporate / Residential / Post-Industrial / Roofs / Cultural Heritage / Restorations / Skate

Stenpiren

Sweco Architects

Projects

Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

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LILA Recognitions

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

The jury recognized a very different approach to the typology of residential landscape, where one would usually find very determined structures, designed to the very last square meter. Instead, Juul Frost Architects explored how a surrounding landscape can be brought into the residential area and how the buildings fit into the surrounding landscape. In the ‘inner’ area, small patches of what looks like local vegetation are placed in a very relaxed design language, emphasizing the qualities of the surrounding landscape and translating it excellently to a smaller scale.

From the jury statement: The project text humbly tells of the team’s aim to return the site to its rural integrity and local traditional building ways, away from the usual domination of design techniques. Yet the contemporary intervention succeeds in creating a strong independent design expression which successfully augments and strengthens the beauty of the site itself. The structures and plantings merge in creating densely atmospheric spaces.

Using simple and graceful design language, the project succeeds in creating a new interpretation of local traditional craftsmanship and history. It is in the combination of strong spatial and material uses and detailing with fulfilling sustainable goals that sets the project apart.

From the jury statement: As a part of a larger planning scheme for reducing traffic, Ballerup Boulevard provides a pilot project for transforming our car-oriented, oversized streets into multi-functional transit ways with human scale and character. The charming yet straight-forward design language of path geometries and planting beds allows the user to move through a coherent whole and at the same time differentiates sequence of spaces. Over time the plantings will create a lush, dense green corridor.

From the jury statement: This on-going project was self-initiated by landscape architecture office EMF – Estudi Marti Franch – in the midst of the global financial crisis. The goal was to make it “big and cheap”, so that the model can be repeated and adapted to many sites. It began by using vegetation maintenance to design public spaces in Girona. In this case, the landscape architect is not just the designer, but also a social catalyst who enables positive change. The jury recognized not only the process, but especially the result, which is a system of low-cost, modest, poetic and above all useful spaces that greatly enrich the quality of life for the people of Girona.

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Editor's Picks

Visitors come to museums to see works of art, science or remains of the past, in order to get inspired, filled with new knowledge or to reshape the margins of their understanding. Catherine Mosbach seized the opportunity to offer a landscape that engages this mindset and is able to playfully explain the hidden stories this landscape inhabits. This is indeed a museum-park where visitors can observe what landscape has to say about itself and the traces of human activity on the site. One can move about as one would at an exhibition; passing through an array of different objects, each expressing its own statement ... Catherine Mosbach revealed the layers of the site's memory with all its features and debris, and translated them into a language common to the building and its programme. Whether you like its appearance or not, the Louvre Lens project is undoubtedly a strong conceptual landscape that reaches beyond practice by the book.

Museum Park Louvre Lens

A seemingly indestructible bunker with monumental status is sliced open. The design thereby opens up the minuscule interior of one of NDW’s 700 bunkers, the insides of which are normally cut off from view completely. In addition, a long wooden boardwalk cuts through the extremely heavy construction.

Bunker 599

The power of this project is based on an intelligent answer to describe something which is not. The monastery, to which the project is dedicated, didn't survive to the present day, so Topotek 1 had to figure out how to translate it's invisible characteristics to the language of landscape. A modest and beautifully measured height difference suggests a volume had been there. Furthermore, the consequent contrast between scenic panorama and minimalistic shaping add to the aesthetic tension. As if this contrast would reflect the one between Arcadian representation of nature and modesty of the life in a monastery. Perhaps. It definitely activates the imagination of the visitor, boosting the experience of the site hence making it more memorable and interesting.

UNESCO World Heritage Site Abbey Lorsch

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