Dax

Place de la Fontaine Chaude

by OKRA

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Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

LILA Recognitions

Bureau B+B has been around for more than 40 years. In The Netherlands it is righteously considered a cradle of successful landscape architects. Despite the vast portfolio and the inseparable heritage of B+B, the editors of Landezine were convinced and impressed by the latest projects that were designed by a team of young designers.

We recognize the work of Bureau B+B, mainly for their ability of combining innovative engineering approaches with context based design. They master a diverse span of attitudes; from being subtle and quiet, to making radical changes, or being playful. B+B’s recent designs reflect all the needed skills for handling complex tasks; from a busy urban train station to residential landscapes fit for the future, to wetlands.

But it is the work that tackles heritage sites that really separates B+B from an already remarkable crowd of Dutch landscape architects. The precision that is found in Tempel and Nieuw Rhodenrijs Estates or the conceptual clarity of the LILA 2019 winning project Objets Trouvés reflects the ability to untangle time-related complexities, to curate and to offer new, meaningful experiences.

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

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Editor's Picks

Vestled

On the site of the concentration camp Esterwegen, built in 1933, a memorial was set up in memory of all fifteen camps in the Ems region and their victims. None of the above-ground construction elements were still standing. For this reason, “tree parcels”, with the dimensions of the former barracks were cut out of the red oaks planted in the fifties ...

Esterwegen Memorial

Besides offering the epic view, this pocket social space is in fact also a community garden, plaza, skatepark and a monument. The latter comes from the fact that there was a development that slid down the bluff in 1930' and some remains are still visible today. It's interesting that the remains inspired the forms of this project and not the previous state of the architecture before the accident. So there is a great deal of abstraction rather than some naive memorabilia, which is sadly often the case. A Google Maps visit will show that the initial planting scheme did not survive. Maybe it was changed by the members of the community, in any case it's a pity since it was giving unique character to the place. As if the violet and yellow-ish plants would want to play with the sunset light and blue - pink hues of evening sky. It would be hard to believe that Sedum would not survive the climatic conditions of this site.

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