Israel

Tel Dor National Park

by BO Landscape Architecture

Neta’im School

by BO Landscape Architecture

by BO Landscape Architecture

Tavor Park, Kiryat Yam

by BO Landscape Architecture

The Gdora Bridge

by BO Landscape Architecture

Earth Memorial in Kyriat Haim

by Gitai Architects

Circling the Avenue

by BO Landscape Architecture

The Hiriya Landfill

by Latz + Partner

On the Way to The Sea

by Derman Verbakel Architecture

the REAL estate

by AL/Arch

Peres Peace Center

by Tema

Side Effect

by Amir Lotan

Green Cloud

by Tema

by Chyutin Architects

by Mayslits Kassif Architects

Projects

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TTC Timmler Technology

Streetlife Design Competition

Streetlife and Landezine are calling students and young professionals from the field of landscape architecture and related fields to submit ideas for 'Lost Sites'!

LILA Recognitions

Bureau B+B has been around for more than 40 years. In The Netherlands it is righteously considered a cradle of successful landscape architects. Despite the vast portfolio and the inseparable heritage of B+B, the editors of Landezine were convinced and impressed by the latest projects that were designed by a team of young designers.

We recognize the work of Bureau B+B, mainly for their ability of combining innovative engineering approaches with context based design. They master a diverse span of attitudes; from being subtle and quiet, to making radical changes, or being playful. B+B’s recent designs reflect all the needed skills for handling complex tasks; from a busy urban train station to residential landscapes fit for the future, to wetlands.

But it is the work that tackles heritage sites that really separates B+B from an already remarkable crowd of Dutch landscape architects. The precision that is found in Tempel and Nieuw Rhodenrijs Estates or the conceptual clarity of the LILA 2019 winning project Objets Trouvés reflects the ability to untangle time-related complexities, to curate and to offer new, meaningful experiences.

From the jury statement: "With its lush vegetation, Forest Garden approaches the site as hybridization between the ecosystem of plants, animals and humans. It is a delicate way of setting up clearings in the forest to take advantage of resources (productive gardens, natural pools, tree regeneration) without disturbing it. Studio Ome effectively used all topographical facts, existing plants, sunlight, and other natural forces to empower a variety of programmes, needs, and, above all, experiential richness. They obviously appreciate randomness and a more relaxed approach to planting. The decision to leave the paths in the garden as informal compacted earth paths, shows a humble approach to landscaping work, which the members of the jury felt demonstrated a truly sensitive understanding of providing ‘just enough’ to meet the brief. In essence, the project emphasizes how we can leave space for nature, which is an important message going forward. Forest Garden offers a wonderfully dense atmosphere and infinite possibilities for exploration and observation."

The jury recognized the tension and the atmospheric density that was achieved by well-known tools of garden design. The use of historic structures successfully establishes different ambiences and opens views that change the perception of the space, orientation and the scale of this relatively small plot. The garden was designed to catch changing seasons and light and synthesize them into a dramatic display of change. Ellipse garden is also a gardener’s laboratory, and reflects the joy in cultivating, playing and experimenting with plants and their characteristics.

The jury recognized the approach of embracing time to make a comfortable living space. The project successfully combines soil reactivation, food production, water management and recycling of the material found on site. This simplistic, smart and visually interesting landscape reaches beyond what is expected of a residential area.

See All / Visit LILA website

Editor's Picks

Dune Roof

Judging by other media, doubling the amount of pedestrian space on Times Sq. is the crown achievement with this hyper-urban site. But Snøhetta went much deeper than merely mastering engineering pirouettes. The design (selection of the material, it's shape and colour) is full of references to past and contemporary culture connected to the Bowtie. The dark pavement complements the artificial light from above, giving it contrast like as found in black and white noir films. The benches were inspired by old cars from those noir times and from times of the establishment of Broadway's theatre culture. Furthermore the coin-sized metal discs inserted in the pavement reflect the light from above and emphasize a kind of a 'metropolis' or 'Blade Runner' like experience. Snøhetta's homage to artificial light also comes from the fact that the street was the first in US lit with electric lights. The lack of presence and recognition of this project in professional media and over-promoted doubling of the amount of pedestrian space are in my personal opinion problematic. It's about heritage, culture, artistry, experience and yes, also the quality and quantity of pedestrian space.

Times Square Redesign

Little C

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