Roman Quarry Redesign

AllesWirdGut Architektur: It is difficult to realize that this impressive scenery which is characterised by precise schnittkanten, exactly worked surfaces and well-advised subtraction of the ground is only a byproduct of mining resources a long time ago. Further more it seems that the two Japanese guys from the Sculpture Symposium, who have created the “Japanese Channel” by hurting the compact rock in an nearly impossibly precise way, might have transformed the meadow from Burgenland, which is called the “Austrian Grand Canyon” in the same way.

That’s why it seems logical to take the “Japanese Channel” and its principals as a method and role model for a redesign , which is more likely seen as a continuation of this sculptor art work.

-Precisement: clear and simple language of shapes
-Reduction: reflexion to the essential
-Subtraction: adding via taking out

Design: AllesWirdGut Architektur
Project: Redesign of the Roman Quarry disposed Opera Festivals
Location: St. Margarethen /Austria
Client: Fürst Esterházy Familienprivatstiftung
Competition: 2005
Start of construction: 12/2006
Completion: 05/2008
Gross floor area: 5.580m²
Outdoor spaces: 4.430m²
All photographs: Hertha Hurnaus

  • Pierre 11.29.09

    This project, in some way, reminded me of projects from here;

    Great site, btw.

  • Scott Fairley 03.14.10

    Brilliant scheme- looks great- sharp and contemporary- but the structure and character of the primary use is still legible. Excellent choice of materials too. The corroded steel finish looks superb.

  • […] While that series deserves a more careful and serious reading than this flippant post allows, the obvious result of the mental collision of these two reports about Moscow — one fantastic and unbelievable, the other substantiated and historical — is to imagine a Moscow whose many public parks are more Yellowstone or Hawaii Volcanoes National Park than Central Park, which, in turn, leads me to a third recent post elsewhere, Pruned’s entry on flood hunting.  Flood hunting is apparently the practice of “traveling to sites of inundation”, an activity situated somewhere between (natural) disaster tourism and, as Pruned suggests, the occasionally-thrilling itineraries of flood-control-apparatus inspectors, who typically must inspect their bulwarks and levees and dams without the visual aid of surging floodwaters, but might, on occasion, have the opportunity to “gauge how the built environment reacts in the face of total systemic failure”. Dendritic systems of access: the Roman Quarry in St. Margathen, Austria, designed by AllesWirdGut Architektur ZT GmbH, and seen at Landezine. […]

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